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Tuesday, January 31, 2012
Public Health players combine forces
Posted by
Swaraj Paul Barooah
at
6:40 AM
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Labels: Financing Research and Development, Pharma, public health, Swaraj
INTA announces Annual Calendar of Events
The followers of Spicy IP would undoubtedly already be familiar with the name INTA, which stands for International Trademark Association, a not-for-profit membership association (having close to 6000 trademark owners as members) dedicated to the support and advancement of trademarks and related intellectual property as elements of fair and effective commerce. Time and again, INTA has brought forth several significant and informative discussions and programs on trademark law-related issues in the past, which have been announced/reported in this blog (see here, here and here).
For the benefit of the readers, INTA has come up with an annual calendar featuring the schedule of some of their soon-to-happen activities in the current year, so that the regular participants and the new ones can plan ahead.
The year is going to start with a one-day conference titled ‘Building Mega Trademarks’ on February 11, 2012 in the city of Gurgaon, near New Delhi, India. In this conference, leading trademark experts to corporate India will be brought for a discussion of best practices for creating, protecting and exploiting brands. The Managing Director of Reebok, India is going to be the keynote speaker at this conference. Five comprehensive panel discussions will include:
Strong Foundations: The Creation of a Successful Trademark
A New Blueprint: Trademarks on the Internet
Fortification: Protecting Your Brand Against Violations
Gaining Recognition: Well-Known Marks and Geographical Indications (GIs) and
Expanding the Model: Using Licensing and Franchising to Grow Your Business
The conference will be followed by a Pre-Annual Meeting Reception on February 13, 2012 at Ahemdabad, India.
The Annual Meeting, 134th of its kind, will take place between May 5 and May 9, 2012 at Washington, D.C. More than 9,000 intellectual property professionals will convene at this trademark event for networking, continuing legal education, and committee and client meetings and engage in skill-building workshops, industry breakouts, interactive table topics, and trademark law sessions focused on international topics. A novel feature of the meeting will be an exhibition hall boasting nearly 100 exhibitors debuting new products and services to help in brand protection.
On May 7, 2012, the India Reception at the Annual Meeting will take place in Washington, D.C., to be followed subsequently by two interactive In-House Practitioner’s Luncheons in India on June 23 and July 21 at Hyderabad and Bangalore respectively.
On September 10 and 11, INTA will host another international Trade Dress and Design Protection Conference at Copenhagen, Denmark.
The next Indian program of INTA will be on October 6, 2012 at Mumbai in the form of INTA India Seminar.
Indeed, October is going to be a busy month for INTA members this year, with the seminar being followed by a program on Trademarks in Business Transactions at Chicago, U.S.A. on October 11-12 and a Trademark Administrators Conference at Charlotte, U.S.A. on October 14-16. The U.S.A. run of INTA will continue with a Leadership Meeting being convened at Orlando on November 7-10. Finally, the year will be rounded up for INTA with an Anticounterfeiting Conference on December 3-4 at Istanbul, Turkey.
While all these programs appear to be promising avenues for lively discussion and exchange of ideas amongst academics, practitioners and other stakeholders on trademark law in particular, the readers of Spicy IP residing in India will undoubtedly be more interested to note that several of the programs have been scheduled in India this year (marked in bold), which augurs well for attention that the national trademark law scenario is attracting at present.
To know more about INTA events, including E-Learning programs, the readers can go here. Free registrations to the INTA India Seminar on October 6, 2012 at Mumbai can be obtained by becoming a part of INTA. For more information, readers are advised to contact Simran Daryanani from INTA at sdaryanani@inta.org, whom the Spicy IP team thanks for sharing the annual calendar in advance.
Posted by
Shouvik Kumar Guha
at
12:58 AM
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Labels: INTA, IP Talks, Shouvik Kumar Guha
Saturday, January 28, 2012
Dr. Wobben loses appeal - Revocation proceedings to continue before both IPAB and HC
This order is the latest in the series of legal defeats suffered by Dr. Wobben and his company Enercon GmBH in their four year legal battle against their Indian subsidiary, Enercon India Ltd. The present round of litigation pertains to the 23 revocation petitions filed by Enercon India, before the IPAB, seeking the revocation of 23 patents belonging to Dr. Wobben. In late 2010, the IPAB heard 12 of these petitions and ended up revoking all the patents challenged in these petitions. The remaining 9 petitions are scheduled to be heard before the IPAB in February, 2012. (Image from here)
Posted by
Prashant Reddy
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4:19 PM
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Labels: Enercon, Indian patent litigation, Patent
Monday, January 23, 2012
Guest Post: Website Blocking to Prevent Copyright Infringement: A Comparison of the Indian and UK Approaches Part 3
Part 3 – Never Say Die
A statement by the UK’s Foreign Secretary, William Hague, in his closing remarks at the London Conference on Cyberspace, on 2 November 2011, reiterated an important message, aimed at governments the world over. He said,
“Do not treat cyberspace as if it belongs to you….You should not imagine for an instant that you can resist the growing force of the tide now flowing for transparency, open information and the free exchange of ideas.”
A UN report also declared recently that access to the Internet is a human right.
I feel that these two statements must be kept in mind by governments and courts when they meddle with the Internet.
An encouraging response to demands for blocking has been that of Virgin Media, another major ISP in the UK, who at least seems to think that a part of the problem is that content is not always affordably priced. When Virgin was asked for its response to the BT judgment and whether they would block Newzbin2 as well, a spokesperson for virgin Media said to the BBC, that it would obey the law, but would not take action over the matter until it had received a court order of its own.
“As a responsible ISP, we will comply with any court order addressed to us but strongly believe such deterrents need to be accompanied by compelling legal alternatives such as our agreement with Spotify, which gives consumers access to content at the right price," a spokesman told the BBC.” (Emphasis added).
I turn now finally to look at the civil society movement against website blocking, particularly the work done by the Open Rights Group.
The Open Rights Group, other organizations and freedom of expression experts in the UK have joined together to persuade rights-owners and the Foreign Secretary that website blocking will do more harm than good. Consumer Focus have argued that because the demand for movies is huge, the solution lies not in blocking but in providing affordable, legal choices for consumers. There has been a proposal by a rightsholders’ group in the UK that sets out a voluntary website blocking scheme, with judicial oversight, providing for expedited court procedures. If this were to come through, consumers would stand to lose any control they have over the way they use the Internet. Copyright owners and ISPs would get to decide what content we see online and courts could become puppets granting ex parte injunctions for the blocking of websites without having an opportunity to defend themselves in court. This would threaten legitimate uses of copyrighted material as well, since big rights-holders are notorious for often being touchy even about fair uses of their works and demanding their removal (See, http://www.guardian.co.uk/media/pda/2010/aug/10/newport-state-of-mind-youtube?intcmp=239). Lastly, there is a whole lot of common law that has led to the development of the remedy of injunctions. Expedited court proceedings that do not take the interests of the defendant (unnamed in case of John Doe orders) into account, would run the risk of being unfair to defendants that have not had a chance to present their case at all– and a discussion on this could be the subject of a whole other post.
This is one battle that is clearly not over. The studios have found their foothold in Section 97A injunctions (discussed in part 2) and have obtained a precedent. Website blocking is bound to increase, with more copyright owners taking this route, unless there is a strong argument against it which forces the government to stop and consider the interests of those other than copyright owners, as well as the effect of website blocking on the nature of the Internet itself.
In conclusion, I think that while the approach to website blocking in the UK suffers from serious flaws when looked at from the perspective of consumers and even ISPs, it is at this stage still a process that requires more than just a knock on the door by a copyright owner. In India, a knock on the door of Delhi High Court seems to be all they need. It seems unlikely that ISPs in India will stand up to rightsholders like BT did. Therefore, if there is no concerted action by Internet users and civil society groups objecting to the setting of precedent such as the John Doe orders for Singham and Bodyguard, it won’t be long before any website with a whiff of infringement, never mind its legitimate uses, will be blocked at the behest of the Indian film industry. If one were to consider the Internet’s indispensability and growing relevance in development and commerce, especially in India, it could be argued that the government has an obligation to equally protect the rights of consumers to a free Internet and access to content at affordable prices, as it seems to be doing for copyright owners and those with religious, moral and political sensibilities.
The Spicy IP team thanks Ms. Jain for this series of comprehensive and analytical overview of this contentious controversy. We hope that she would continue her association with us for the benefit of the readers, who have undoubtedly enjoyed her writing and her expertise.
Posted by
Shouvik Kumar Guha
at
11:38 AM
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Labels: Copyright, internet, IT Act, Piracy, SpicyIP Guest Series
Guest Post: Website Blocking to Prevent Copyright Infringement: A Comparison of the Indian and UK Approaches Part 2
Part 2 – the UK Situation
There have been proposals in the UK, primarily from the media industry, to block websites that host unlawful content. Website blocking was proposed as a means to implement the provisions of the reviled Digital Economy Act, 2010. However, following a series of consultations and submissions from ISPs, copyright owners, consumers and civil society groups, the Government appointed agency, Ofcom, came to the conclusion that website blocking, while effective, was a measure that could not be resorted to, owing to the ease with which it can be circumvented.
The Motion Pictures Association of America (“the MPAA”) approached te UK courts to seek blocking, by ISPs, of a Usenet website (discussed below) that facilitates access to material that infringes their copyright. The key difference between this case and the John Doe orders is the manner in which the blocking order was sought and obtained.
Newzbin2: An action was brought by members of the Motion Picture Association of America (“MPAA”) against British Telecom (BT), UK’s largest ISP, Twentieth Century Fox Film Corporation and Others v British Telecommunications Plc, [2011] EWHC 1981 (Ch), commonly referred to as the Newzbin2 case.
Prior to this case, the studios had also brought another case against Newzbin. In Twentieth Century Fox Film Corporation and Others v Newzbin Ltd. [2010] EWHC 608 (Ch), Mr Justice Kitchin had ruled that Newzbin had infringed the MPAA's copyrights in some of their films. He ordered Newzbin to ensure that its users did not infringe the copyright of the plaintiffs in the works identified by the plaintiffs in lists provided to Newzbin. Shortly after this injunction, Newzbin went into voluntary liquidation and the website, hosted in the UK, disappeared. It later re-appeared as Newzbin2, hosted on Swedish servers. This re-appearance led to the studios asking BT to block the new website or not oppose an application to block it under section 97A. BT refused both requests.
The application for an injunction to block access to Newzbin2 was made by the MPAA under section 97A of the UK Copyright, Designs and Patents Act 1988 (“CDPA 1988”) which provides that a High Court has the power to grant an injunction against a service provider, “where that service provider has actual knowledge of another person using their service to infringe copyright.” For actual knowledge to be shown, the service provider should have received a notice with the details of the infringement in question.
Mr Justice Arnold, in his judgment, said that,
“In my judgment it follows that BT has actual knowledge of other persons using its service to infringe copyright: it knows that the users and operators of Newzbin2 infringe copyright on a large scale, and in particular infringe the copyrights of the studios in large numbers of their films and television programmes,…”
Even though BT successfully proved that 30% of the material on the Newzbin2 website was not content owned by the plaintiffs, it was held that the studios’ rights were being infringed on a “massive scale” and even though the order would benefit other rightsholders in addition to the studios, it was not a reason to refuse making the order but in fact was a reason to support it.
The most interesting part of this case, for the present analysis, was when BT raised a concern that if the Court used its discretion and granted the plaintiffs’ application, it would lead to a flood of applications by rightsholders for the blocking of other websites as well. Mr Justice Arnold accepted that it is likely that orders would be sought by rightsholders to prevent access to other websites and would therefore lead to them demanding the blocking of more websites by ISPs. He held that,
“It should be borne in mind, however, that in this case the Studios started from the point that they had already obtained judgment against Newzbin Ltd. Even so, the Studios have had to obtain and put before the Court a substantial quantity of evidence in support of the present application. In addition, the application involved the preparation by counsel for the Studios of a lengthy and detailed skeleton argument, a two-day hearing and written submissions following the hearing. Thus this will have been a costly application for the Studios to bring. I recognise, of course, that some of this effort and expenditure is attributable to the present application being a test case, and that subsequent applications ought to require less effort and less expenditure, but on the other hand subsequent applicants will have to prove things that the Studios had already established in 20C Fox v Newzbin.”
Despite the precedent set by Newzbin2 in providing excessive powers to copyright owners to seek blocking, it has at least acknowledged that copyright owners cannot just walk into court seeking an injunction to have an ISP block a website and have it granted overnight – unlike a John Doe order – and that rightholders need to argue on the basis of copyright law to prove infringement, including the presentation of adequate evidence.
In Newzbin2, July 2011, Mr Justice Arnold had delayed deciding the exact form of the order and was supposed to decide later what exactly BT would need to do. This order was passed on 26 October 2011. One of the key defects in the order is that BT is not required to carry out deep packet inspection (DPI), except to the extent that its existing filtering system, CleanFeed (aimed at filtering child pornography) already does. The studios will provide BT with a list of IP addresses and URLs which includes Newzbin2 and “any other IP address or URL whose sole or predominant purpose is to enable or facilitate access to the Newzbin2 website”. There seems to be a terrific amount of faith being placed in the studios to act fairly. The order does not mention any penalties on the studios for blocking websites wrongly and website owners and operators do not need to be informed that they might be on BT’s blacklist.
Following from the Newzbin2 injunction, the MPAA has also managed to get a court order against Sky, another major UK ISP, to block access to Newzbin2, which Sky has done.
My next and final post in this series will look at the UK civil society movement’s battle against website blocking and conclude this comparative discussion.
Posted by
Shouvik Kumar Guha
at
11:26 AM
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Labels: Copyright, IT Act, Piracy, SpicyIP Cases, SpicyIP Guest Series
Guest Post: Website Blocking to Prevent Copyright Infringement: A Comparison of the Indian and UK Approaches Part 1
Part 1 - Website Blocking in India
Website blocking has been resorted to by the Indian government and media companies to prevent alleged copyright infringement, obscenity and defamation by making ISPs block access to offending websites by Internet users. I have been looking specifically at website blocking as a means of preventing online copyright infringement and the debates around it in the UK. Having sifted through existing legislation, rules and judicial precedent in India, I failed to find any consistency in the approach to website blocking in India for the purpose of prevention of copyright infringement. This post does not go into the issues of intermediary liability and immunity under the (Indian) Information Technology Act, 2000 (the “IT Act”) in much detail. Rather, it is an attempt to illustrate the point that website blocking is resorted to in an ad hoc manner by Indian copyright owners, setting judicial precedents that are dangerous to the freedom of the Internet, due process and consumer rights. As a comparison, I have explored the instances of website blocking in the UK and the judicial procedure followed, as also the reaction of civil society groups when faced with the prospect of legislative action sanctioning the blocking of websites by ISPs at the behest of copyright owners. This series of three posts covers the Indian and UK approach to website blocking for copyright protection purposes. This Part 1 is a brief review of the current position in India.
Blocking and content removal: To state the obvious, website blocking is not the same as the removal of content from websites. Website blocking is addressed by the Information Technology (Procedure and Safeguards for Blocking for Access of Information by Public) Rules, 2009 (the “Blocking Rules”), published by the Central Government (Ministry of Communications and Information Technology, Department of Information Technology). Blocking is only available under the Blocking Rules for those instances covered under Section 69A of the IT Act, which does not cover copyright infringement. Therefore, if a copyright owner has to have a website blocked, they cannot seek recourse under the Blocking Rules. Requests to block websites or specific content have to be made to the Department of Information Technology (“DIT”), through designated “nodal officers”.
Content removal, on the other hand, is addressed by the Information Technology (Intermediaries guidelines) Rules, 2011, notified on 11 April 2011 (the “Intermediary Rules”). These rules require intermediaries to remove information that “belongs to another person” within 36 hours of receiving an e-mail communication from an “affected person” (Rule 3, sub-rule 2(a), read with Rule 4). However, exercising the right to have infringing content removed under these rules would involve being able to give notice of such infringement to an entity that would actually remove the content – which in the case of websites is impractical because often the identify of the website owners is not known or they are based outside Indian jurisdiction and can ignore requests to comply. ISPs and operators of social network sites such as Facebook and Google claim technical inability to monitor and remove content, or simply refuse to do it if it does not violate their usage policies.
John Doe Orders: An alternative method, exercised of late by copyright owners, is to file for a John Doe court order claiming that the applicant copyright owners anticipate infringing activity that could cause financial loss to them. A John Doe order passed by Justice A.K. Pathak of the Delhi High Court on 20 July 2011 was exercisable by the producer of the film Singham against anyone playing unauthorised copies of the film on cable TV, the Internet or through the sale of CDs and DVDs. Reliance Entertainment reportedly also obtained a similar order prior to the release of the film Bodyguard. When ISPs such as Airtel, MTNL and BSNL were presented with the order, asking them to prevent unauthorized access to Singham by users of their service, they reacted by blocking entire file-sharing websites. ISPs are clearly not equipped to monitor the activities of each user and block access to particular content being streamed by users from file-sharing services. Section 79 of the IT Act provides intermediaries with a safe-harbour against liability for copyright infringement if certain conditions are met. However, various provisions in the Indian Copyright Act, 1957 and the IT Act may strip intermediaries of this safe harbour (See here for a robust analysis of these provisions).
In the absence of clarity regarding the rules on ISP liability versus their safe harbour, ISPs would seemingly rather err on the side of blocking websites, than not. Therefore, in most cases, copyright owners do not need to go through the DIT route for website blocking at all. As has been demonstrated by the Singham court order, unidentified defendants are restrained from displaying or making available copyrighted work. These defendants include ISPs and cable operators. The width of the order is clearly enough to scare the ISPs into blocking entire websites that are used widely by users to share content, both legal and infringing. These injunctions imply that copyright owners, in the future, do not need to pursue lengthy litigation to prove infringement, but can merely seek John Doe orders and compel ISPs to block websites. ISPs are not yet challenging the producers’ instructions to block websites; even though the John Doe orders do not name the ISPs, do not point to specific demonstrated instances of infringement and do not even identify by name the websites or services that are being made the target of these blocking instructions, nor the percentage of infringing content on these websites as compared to legitimate content.
My next post on this subject will look at the UK statutory provisions and legal precedents relating to the blocking of websites for the purpose of prevention of copyright infringement.
Posted by
Shouvik Kumar Guha
at
11:16 AM
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Labels: Copyright, IT Act, Piracy, SpicyIP Guest Series
Sunday, January 22, 2012
Yahoo v. Controller, and Rediff: Business Methods are not patentable.
Posted by
Rajiv Kr. Choudhry
at
3:45 PM
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Labels: business method patent, india, IP Policy, IPAB, Opposition, Patent, patent agent exam, Patent Office, Patent Prosecution, Patent rules, prior art, Rajiv
A secretive search for prior art
- A copy of the MoU for outsourcing prior art searches
- A copy of the entire official file pertaining to the MoU, including details of the scope and format of search reports to be provided by CSIR to the IPO in pursuit of the MoU
- Copies of details of any meetings held in pursuit of the MoU, including minutes or records of discussion
- Copies of any independent legal advice, if any, that may have sought/received on the legality of the MoU and related projects
- Why is an MoU between two public bodies (CSIR and DIPP) regarded as a private and confidential document?
- Why are details of the outsourcing of the service of searching for prior art (which directly affect publicly enforceable patent rights) not deemed to be in larger public interest?
- Why has CSIR not attempted to seek legal advice on this MoU?, particularly in the light of speculation that the service may be in direct conflict with the CSIR's own mandate of IP protection and patent filing?
"CSIR-URDIP is not conducting the examination of patent applications. The scope of our services is to search for prior art.... The scope of services and format of report was discussed and finalised in consultation with the office of CGPDTM.We further wish to state that up till now no feedback has ever been received from Delhi patent office on any of the search reports submitted by us in spite of our repeated requests. If they had any comments or feedback (positive or negative), they could have communicated the same to us in the first instance. Without knowing the background and context of the whole matter, it is unfair on the part of commentator to question the quality of work done by us or highlight only a particular portion of certain document."
Posted by
Sumathi Chandrashekaran
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1:01 PM
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Labels: csir, Outsourcing, Patent Office
Friday, January 20, 2012
IP in a song: Poplaw and theatre
(Warning: Long post)Earlier this week, I was at Kamani Auditorium in New Delhi, which was packed to full capacity and then some, watching a play called 'Stories in a Song'. The play itself was a montage of stories which told of how different forms of music of the north Indian tradition had evolved in response to their ages. The music for the play was selected from traditional repertoire and set by Shubha Mudgal and Aneesh Pradhan (they are the brains behind this awesome pro-musicians website which you must check out). (Image from here)
The composer rhetorically asks, "what is a song worth anyway? No one has a copyright over the seven swaras"; while the guru's disciple plaintively pleads that "artists must get their due". Words like copyright and royalty were freely bandied about. I'm not sure the audience paid much attention, because they were too preoccupied in their cheering, hooting and whistling. The scene quickly descended into propaganda for the royalties debate that has captured the imagination of the Indian copyright world for these past several months.
There's a context to the story -- Shubha Mudgal (see posts about her on the blog here) has been part of the group of artists, singers, composers, who have led the debate to grant stronger protection to performers' rights in India. It was appropriate that she should have woven this story into a play such as this. (image from here)Predictably, this set off a thread in my head on IP in popular culture in India. I was excited that this production tried to bring together my two grande passions (music and theatre) into a creative conversation with IP. But I was disappointed that the discussion was too shallow in its telling. It sidetracked into the demerits of the commercialisation of classical music, which could have been handled more dynamically, but ended up being a flat, one-sided presentation.
The story suggested that classical music is pure, untouchable and a true musician would never try to make money out of it and that those who tried to make money out of art by "playing to the gallery" effectively betrayed the art form, and could no longer be considered true musicians.
This may well have been different a few generations ago, when patronage kept artistes alive (even there, the form was kept alive because artistes had a source of income coming through). Today, however, the pursuit of art for art's sake can truly be regarded only as the preserve of the well-heeled. For the rest, for people who have to survive solely on their music or any other art form, it can be a difficult and sometimes unrewarding existence. That calls for a larger debate -- about how society has come to define art and aesthetics today, about what is now considered beauty and what is not, but a blogpost on IP is not the space to ruminate upon such grave matters. :)
The good thing about this theatrical story about the Malkauns khayal was that it added a new dimension to the IP debate, moving it out of newspaper columns and drawing room conversations and primetime television banter to an artistic representation that responds to, and evolves with, its audience. Surely we need more such public dialogues in the country, at the very least to ensure that intellectual thought around law and policy reforms is not hijacked by a handful of interest groups who may end up doing some major damage to the way Indian law changes.
And when it comes to IP in theatre or cinema -- Abhishek Bachchan's bit-part role as a patent attorney doesn't quite make the cut. I have also heard of a play produced by a Delhi-based law firm on IP some years ago, but have never seen it, and so cannot comment. 'Stories in a Song', on the other hand, may be a more successful and longer-running production - it premiered at Prithvi theatre in Mumbai sometime last year, and had a run at the Baajaa Gaajaa festival in Pune before coming to Delhi for the Bharat Rang Mahotsav. When was the last time you saw an IP debate being presented to popular appeal on film or in theatre in India?
Posted by
Sumathi Chandrashekaran
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1:49 PM
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Thursday, January 19, 2012
John Doe orders for Blocking of Websites: Mad Dog without a Leash?
The producers rely heavily on movie openings and fear that online piracy would dent theatre-goers. To plug any irreparable loss, they seek a relief of temporary injunction under Order 39 R1 & 2 read with Section 151 of CPC. In terms of these provisions, a John Doe order presupposes (a) an imminent possibility of leakage of the copyrighted material (b) causing huge financial losses (c) and hence an injunction against John Doe to restore balance of convenience. Bottom-line, there has to be a strong presumption that the unnamed person would cause losses unless injuncted. So far, the practice seems to be that the producer upon obtaining the injunction serves a notice to the IAPs directing them to block any website.
It is valid to argue that previous instances provide a clear indication of possible infringement from an internet source, thus justifying denial of access in anticipation. Moreover, the location of website outside India requires swift action instead of waiting for the ISP to respond. A file sharing website does provide the ‘means’ for infringement by allowing dissemination of content uploaded by users. The IAPs on the other hand are technologically capable of denying access to any website. Does this mean, ‘John Doe’ is someone providing access to infringing material? To my mind, it would be inequitable if the order were to be blindly directed at every entity with the means to or the capability to avoid infringement. Injunction against every ISP is tantamount to authorizing shutdown of the entire internet infrastructure. In other words, every producer can direct the IAPs to block any website pursuant a John Doe order.
Earlier this year, ESPN obtained a similar order injuncting ‘unnamed’ cable operators from indulging in unauthorized telecast of World Cup matches. Does this mean, any cable operator who does not have the necessary license becomes a party to the suit? Instead the Court gave ESPN the right to request local police authorities to inspect premises of any cable operator and equipment can be seized and attached if found accessing unauthorized feed. This further indicates that the remedy is primarily for one to iron out any suspicions and cause of action arises when any material fact is discovered in the course. Therefore, the yardstick for determining the class of John Doe should not be anyone who has the capacity to cause infringement but such entities with the infringing content and the intention to commit an unlawful act.
Undoubtedly the ISPs are profiting by allowing users to surf errant file sharing sites. In such a situation, it has to be seen if such persons owe any duty to the copyright owner. On this point, the Australian Federal Court in AFACT v. iiNet stated that ‘the law recognizes no positive obligation on any person to protect the copyright of another’. The copyright owner in this case argued that allowing P2Ps to commit infringement is tantamount to ‘authorization’ of an unlawful act. In response to whether IAPs are liable to block P2Ps, the Court drew a distinction between provision of ‘access’ to internet and actual ‘means’ of infringement through P2Ps and held that the access providers neither have control or connection with the latter.
If IAPs were to be liable, as was rightly argued elsewhere, then libellous and pornographic content should be weeded out too. It is if the reach of John Doe order extends to all IAPs without any evidence. Besides that, failure to detect particular source of infringement (i.e. a particular user of an internet service) does not justify blocking the entire website affecting innocent users. In essence, the access providers do not have any obligation to monitor the web without any notice of infringement.
Under the IT Act, however as the TOI report rightly points out, the appropriate authority for blocking websites is the Department of Information & Technology (DIT). The IT Rules, 2009(relating to ‘Procedure and Safeguards for Blocking for Access of Information by Public’) authorize the DIT to block websites and confers investigation powers for reasons connected with national security or public order or incitement of any unlawful activity as laid down in Section 69A of the IT Act. Additionally, the court exercising its ‘inherent powers’ under Section 151 CPC may grant any relief it deems fit in order to protect proprietary interests of plaintiffs from any irreparable harm, including blocking of websites.
Blocking of sites directly affects individual’s right to freedom of speech and expression under Article 19(1)(a). Logical corollary would mean that any denial of access should fall within the reasonable restrictions specified under Article 19(2). A John Doe order to block a website does fall within reasonable restrictions because refusal to do would be ‘contempt of court’, a ground under Article 19(2). Caveat here is that the right can be taken away only under the authority of and procedure established by the law.
In terms of above, an injunction against unnamed persons is not sufficient for the IAPs to block any internet source. Moreover, IAPs lack legitimacy in blocking website merely upon a notice from the filmmakers without any conclusive evidence of infringing activity. This is so because any allegation of any copyright infringement is purely a question of law and IAPs are not capable of determining the culpability of the errant website. It follows that the evidence has to be judicially examined before blocking any website. Therefore, unless there is an express direction from the Court or the DIT, the IAPs are not bound to block any internet source. A John Doe order only permits a copyright owner to seek action against any errant website by the IAPs upon authorization of the DIT and not to bypass the authority under the law. Clearly, RCOM wrongly assumed the authority to block websites based on the injunction order.
Take-down orders have an effect of curtailing fundamental rights. Therefore, ideally a judicial (or a quasi-judicial) body should determine the culpability of ISPs. Even the draconic anti-piracy measures such as the Three Strikes Policy provide for a mechanism of judicial redressal. In France for instance, the HADOPI, the government agency implementing the policy has three members of judiciary in the 9 member panel. The HADOPI is also vested with powers to investigate and it is the only authority to an ISP/IAP to remove any objectionable content. It appears that the present mechanism of blocking of websites fall short of constitutional standards.
A concern brewing in the U.S.’s Stop Online Piracy Act (SOPA) relevant here is the possibility of ISPs/IAPs manipulating their ‘dominant position’ to further own business interests. The growing convergence of media and telecom industries (in India too) can pose a threat in the context of blocking websites. Section 4(2)(b) of the Competition Act, 2002 prohibits dominant entities in indulging in practices which result in denial of market access ‘in any manner’ or using their position in ‘one market to enter into, or protect, other relevant market’. The phrase ‘in any manner’ has a wide connotation and could encompass any measure which unfairly affects the competitive position of any other person (not just its immediate competitors). Hence, it would not be naïve to allege that RCOM could use the tool of blocking websites to provide a competitive edge to its sister, the Big Cinemas.
J. K. Rowling started this trend in 2002 seeking a John Doe order to protect the confidentiality of her book, the Harry Potter and the Half Blood Prince before its release. The Indian film industry is toeing the same line and this will soon go viral when all regional film industries approach High Courts for similar reliefs. This means a perpetual injunction against the internet if IAPs are allowed to shut down websites! The point I want to drive home is that the John Doe order is an ill-suited remedy for online piracy and censorship in this manner is inequitable.
Posted by
Sai Vinod
at
9:18 PM
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Labels: Competition law, Internet Access Providers (IAPs), Internet Censorship
Saturday, January 14, 2012
Website Blocking and John Doe orders: Barking up the wrong tree? (Part II)
I had discussed in Part I of this post that Reliance Communication’s [‘RCOM’] initiative in blocking websites on the basis of the John Doe order has no legal basis in IP Law. RCOM has relied on Section 79 of the Information Technology Act [‘IT Act’] to claim that they are bound by the order. I will discuss the relevant provisions to see the veracity of this statement.
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Mathews P. George
at
8:05 AM
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Labels: Copyright, Injunction, Intermediaries, internet, IT Act
Thursday, January 12, 2012
Website blocking and John Doe orders: Barking up the wrong tree? (Part I)
Posted by
Mathews P. George
at
10:14 PM
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Labels: Copyright, Injunction, Intermediaries, internet, IT Act



