The recent controversy in Bollywood over alleged copyright infringement by Bollywood came to light when Barobax Corp, an Iranian music company served a legal notice seeking an injunction against Eros International Media, Illumanati Films Private Limited, music director Pritam Chakroborty and Super Cassettes Industries Limited. Saturday, March 31, 2012
Bombay High Court denies Barobax ex-parte relief
The recent controversy in Bollywood over alleged copyright infringement by Bollywood came to light when Barobax Corp, an Iranian music company served a legal notice seeking an injunction against Eros International Media, Illumanati Films Private Limited, music director Pritam Chakroborty and Super Cassettes Industries Limited.
Posted by
Prashant Reddy
at
4:08 PM
2
comments
Links to this post
Friday, March 30, 2012
Madras High Court passes its first-ever 'John Doe' order
Posted by
Prashant Reddy
at
2:36 AM
1 comments
Links to this post
Thursday, March 29, 2012
Is the TKDL a ‘confidential database’ and is it compliant with Indian copyright law?
Posted by
Prashant Reddy
at
3:16 PM
10
comments
Links to this post
Labels: Copyright, TKDL, Traditional Knowledge
Zanjeer Remake should seek Scriptwriter's Permission: Javed Akhtar speaks outAkhtar
(Picture taken from here)
The regular readers of Spicy IP will undoubted be aware of the numerous controversies involving various rights associated with the so-called ‘remakes’ of popular movies in Bollywood. Allegations regarding unauthorized ‘borrowing’ of movie scripts, plots, scenes or music compositions have cropped up a dime a dozen in the recent times, often starting as lawsuits against the producer/director of the new movies that have culminated in out-of-court settlements. (For prior examples of different categories, see here, here and here). Script battles with regard to copyright are also legion in terms of numbers. However, not least contentious is the issue whether a remake, while seeking to ‘improve’ upon the original version of the movie and at the same trying to capitalize upon the latter’s popularity, ends up infringing the moral rights of the author of the script. This matter has once again come to the forefront courtesy to one of the all-time great writers in Bollywood, Javed Akhtar, who had once come up with the script of one of the biggest Bollywood hits Zanjeer.
Recently, plans have been aired of remaking Zanjeer by the Amit Mehra, the son of the director-producer Prakash Mehra, who’d come up with the original version. However, while Mehra would not have had any difficulty in obtaining rights over scripts etc., what irks Akhtar is the fact that his permission as the writer had never even been sought, nor was he even notified of the fact that somebody now wishes to modify what he’d once gone to great lengths to create. That is something which he feels should not be allowed to happen.
A long-time campaigner for according rights to the authors for their creation, Akhtar refers to the provision on moral rights of the creator as envisaged by the current Copyright Act, 1957 (for a detailed discussion on the moral rights under this Act, see here). According to him, such right can neither be transferred nor be stolen from the author and even if a person obtains subsequent rights over a script, in order to make any change, author’s permission must be sought. After all, he reasons, one can very well buy a masterpiece of M.F. Hussain and keep it in his house, but that doesn’t give him the right to make changes to the painting!
Akhtar seems to be eagerly looking forward to the upcoming Copyright (Amendment) Bill 2010 (for a discussion on the amendments sought to be introduced, see here), which seeks to provide independent rights to creators of literary and musical works in cinematographic films, entitling them to royalty that was denied to them so far. This Bill, according to him, should address some of the problems that the writers in this country have always faced vis-a-vis their creative rights. He’s also bothered about the perception of lyricists in general, alleging that they seldom get the respect they deserve and their performances have traditionally been judged on a completely wrong set of parameters.
One hopes that the Bill, once it comes into effect, will seek to put at least some of the debates surrounding the film industry at rest, providing all the contributors with their deserving rights and leading to an overall improvement in the copyright scenario in India.
Posted by
Shouvik Kumar Guha
at
1:34 PM
0
comments
Links to this post
Labels: Bollywood, Copyright, Copyright Amendment Bill 2010, Moral Rights, Shouvik Kumar Guha
CSIR spends a whopping Rs. 74.24 crores on securing patents in India & abroad; refuses to disclose revenues from patent licensing
In response to my last question on CSIR’s revenue sharing policies with its employees, we were given a copy of some guidelines on the point. The guidelines however seem to govern only consultancy or third-part funded research. This would basically cover the Patent Office-CSIR agreements for recruiting patent examiners and conducting prior art research. A part of this money from the Patent Office deals goes directly to CSIR employees. The guidelines do not seem to cover the transfer of royalties from public funded research. The Indian version of the Bayh-Dole Bill is likely to cover this aspect. However given the lack of transparency at CSIR, I would think that the Government may want to add additional safeguards to the draft version of the Bill.
Posted by
Prashant Reddy
at
12:52 AM
5
comments
Links to this post
Labels: csir, need for transparency
Monday, March 26, 2012
SpicyIP Announcements: 1st Annual NUJS IP Essay Competition
Word Limit: Entries should not be more than 5,000 words including footnotes and references. Entries exceeding the word limit would automatically disqualified.
Deadline: Entries close on May 12, 2012
The terms and conditions of the competition are available at www.nujs.edu. All queries should be addressed to iptls@nujs.edu.
Posted by
Sai Vinod
at
5:53 PM
0
comments
Links to this post
Labels: Essay Competition 2012, nujs, SpicyIP Announcements
Saturday, March 24, 2012
My Ad or No Ad: Bharat Matrimony sues Google for Anti-Competitive Behaviour in Advertising
Posted by
Sai Vinod
at
7:16 PM
2
comments
Links to this post
Labels: Competition law, Search engine liability, Trademark
Thursday, March 22, 2012
SpicyIP Announcements: Socio-Legal Review Essay Competition
Posted by
Amlan Mohanty
at
12:30 AM
0
comments
Links to this post
Labels: SpicyIP Announcements
Mayo v. Prometheus: Natural law ++ Significant application ~ Patent
Implications upon Indian law: This decision provides enough guidelines (standard paragraphs) to examiners to refuse applications on the grounds that it is merely an application of law of nature without any additional elements that constitute an inventive step.
As a side note, the subject line indicates that, an applicant must significantly to a natural law to maybe obtain a patent.
Posted by
Rajiv Kr. Choudhry
at
12:27 AM
1 comments
Links to this post
Labels: Drug Regulation, Federal Circuit, Guest post, Mayo, Patent, Rajiv, shamnad, subject matter, US Supreme Court
Wednesday, March 21, 2012
Guest Post: Madras High Court overrules IPAB on 'Rhizome Imperial Gold'
Posted by
Prashant Reddy
at
12:54 PM
2
comments
Links to this post
Incentivising Diseases?
![]() |
| Image from here |
Posted by
Swaraj Paul Barooah
at
4:57 AM
3
comments
Links to this post
Labels: Innovation, Pharma, Swaraj
Monday, March 19, 2012
Guest Post: The Traditional Knowledge Digital Library and the EPO
Posted by
Prashant Reddy
at
4:36 PM
7
comments
Links to this post
Labels: TKDL, Traditional Knowledge
SpicyIP Tidbits: Iranian Pop Band threatens to sue producers, music directors and distributors of ‘Agent Vinod’ for copyright infringement
The DNA Report extracts the following portion from the legal notice served on the band:
Both ‘Pyaar Ki Pungi’ and ‘Soosan Khanoom’ can be accessed on Youtube over here and here.
Posted by
Prashant Reddy
at
12:03 AM
1 comments
Links to this post
Labels: Bollywood, Copyright, musical work
Sunday, March 18, 2012
Anti-piracy movement in India gains heat: Cause for concern or justified response?
- Blocking by DNS name: This would involve blocking access based on the domain name itself. For example – “www.songs.pk” could be blocked. However, this can easily be bypassed by typing the IP address itself (a series of numbers, as opposed to letters) in your browser’s address bar.
- Blocking by IP address: A domain name represents an IP address. For example, the domain name www.songs.pk may have the IP Address "85.103.2.14". Thus ISP’s can block access to the IP address itself, but IP addresses can be changed, masked or anonymised.
- URL blocking by Deep Packet Inspection (DPI): This is a more invasive form of blocking that actually examines the data being transferred.
Ineffectiveness of Blocking
Posted by
Amlan Mohanty
at
2:22 AM
6
comments
Links to this post
Labels: Copyright, Intermediaries, Piracy










